1
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[♪ patriotic music]
2
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- [♪ patriotic music concludes]
- [♪ happy music]
3
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[Young Coppola] Can you tell
how a girl as pretty as you
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00:00:39,280 --> 00:00:41,290
Does she become a nun? It doesn't make sense.
5
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Fuck it all, woman.
You don't know the life that awaits you with me.
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[nun] Yes, I imagine it.
A life full of deprivation.
7
00:00:47,500 --> 00:00:48,500
Or what are you going to study?
8
00:00:48,670 --> 00:00:51,550
Well now I'm finishing the night
at the Joaquín V. González.
9
00:00:51,630 --> 00:00:53,470
but the silver
It was never a problem for me.
10
00:00:53,550 --> 00:00:54,590
I have been working since I was twelve years old.
11
00:00:54,930 --> 00:00:55,930
William.
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Stop, the most important thing.
13
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I just joined as a cadet
in a very important bank.
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An upward career.
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You can't say no to me.
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[nun] Look at me, I'm not going to change God
by a cadet.
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- A kiss, woman, no one notices.
- Enough, Guillermo, no.
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[Coppola] A little kiss, nothing happens.
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- [nun] Stop it, no, Guillermo.
- [♪ music concludes]
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[Coppola] Do you see that building over there?
I can assure you that I will live there.
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And if you choose me,
let's have the best view
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from all over Buenos Aires.
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Imagine us on that balcony.
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- [ducks quacking]
- Hugging, looking here,
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remembering the day we gave each other
our first kiss in these woods.
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- [♪ happy music]
- We didn't kiss, Guillermo.
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Well, still.
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♪ The world imagine ♪
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00:01:37,470 --> 00:01:40,890
♪ But a cadet without studies
It doesn't give you ♪
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♪ For that department. with balcony to the Rose Garden ♪
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But I am not only
an uneducated cadet.
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I'm testing myself
in the lower ranks of Racing.
33
00:01:54,190 --> 00:01:57,400
When you're playing first,
I will be able to give you the life you deserve.
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♪ It's nice to imagine ♪
35
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♪ But you don't get out of being poor by playing ♪
36
00:02:05,250 --> 00:02:08,540
♪ How many are in the professional league? ♪
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And, each squad has 25 players,
more or less, so a little more than a thousand.
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♪ It's nice to imagine
But I love being intelligent ♪
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♪ Not necessary
Go after a ball ♪
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♪ To use these people's money ♪
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00:02:31,100 --> 00:02:35,360
♪ Without being an expert it occurs to me,
Take note ♪
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♪ That with your lip
You can represent them ♪
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And charge commission.
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Stop, don't thank me.
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[nun continues singing]
♪ Let's dream without fear ♪
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00:02:46,370 --> 00:02:49,500
♪ Let's dream the impossible, the ideal ♪
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00:02:50,580 --> 00:02:53,840
♪ That there is a player in Argentina ♪
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May it just knock on your door.
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00:02:57,920 --> 00:02:58,920
And why not?
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If we are going to have a dad, a queen,
and why not the best player in the world
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00:03:02,430 --> 00:03:04,300
that he just wants you to represent him.
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[nun continues singing]
♪ You will give yourself to him ♪
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♪ And between the two they will be indestructible ♪
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♪ He will be God,
You are his guardian representative ♪
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♪ Work hard
And you will reap your portion ♪
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And there I bought the apartment. with balcony.
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[nun continues singing]
♪ Until one day ♪
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♪ For being more naive
Let it look like my poetry ♪
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♪ Inevitably he would betray you ♪
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♪ I can't imagine
Most fatal fate ♪
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♪ What rubbish ♪
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Hey! What happened that got
the dream so ugly?
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00:03:40,760 --> 00:03:42,800
Just when we had reached the balcony?
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[kisses]
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- [♪ heavenly music]
- ♪ Oh ♪
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- ♪ Oh ♪
- [bird fluttering]
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[♪ heavenly music concludes]
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[Coppola] No, no, what happens is that I
I haven't represented Diego for two years.
69
00:04:02,320 --> 00:04:04,110
No, it's just that I didn't return from Cuba with him.
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That's why I tell you,
I have no way of knowing.
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00:04:06,320 --> 00:04:07,870
A matter of logistics, nothing more.
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00:04:08,030 --> 00:04:09,540
[indistinct cell phone chat]
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That's why I tell you, did you see?
The distance now complicates me.
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- [indistinct cell phone chat]
- [traffic noise]
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Well, thank you for the warning.
I send you a hug, bye.
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00:04:18,340 --> 00:04:20,210
- [cell phone beep]
- [♪ animated music]
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00:04:22,800 --> 00:04:23,840
- [hit]
- [♪ music concludes]
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00:04:27,260 --> 00:04:30,310
[electrical hum]
79
00:04:30,470 --> 00:04:31,730
- Do you want to use the bed?
- No, no, no.
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00:04:32,180 --> 00:04:34,190
I want you to help me
to find out a little something.
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00:04:34,270 --> 00:04:35,980
- What thing?
- Are you in contact with your ex?
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- the one on Channel Two?
- With Fernando?
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00:04:37,650 --> 00:04:38,650
- [Coppola] Yes.
- No.
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00:04:38,860 --> 00:04:41,230
I mean, yes. I... I come across it. Hello, bye.
85
00:04:41,740 --> 00:04:44,360
Well, Tito Lanzoni called me
letting me know that Diego
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00:04:44,450 --> 00:04:46,320
He intends to publicly denounce me.
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I don't know. He's going to come out and kill me, he told me.
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00:04:49,160 --> 00:04:51,240
- But what is he going to report to you?
- What do I know? I don't know.
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00:04:51,700 --> 00:04:54,500
- If you haven't seen each other in a long time, Guille.
- No, well, but precisely, did you see?
90
00:04:54,710 --> 00:04:57,080
Last time, at that impasse
that we had in '92,
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00:04:57,170 --> 00:04:59,800
He spent his time giving notes everywhere,
talking nonsense about me
92
00:05:00,050 --> 00:05:01,550
to get attention, see?
I have to…
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00:05:01,840 --> 00:05:03,260
And well, precisely.
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00:05:03,420 --> 00:05:05,930
If it already happened and you didn't do anything,
that… let him speak.
95
00:05:06,090 --> 00:05:08,050
What does one more spot do to a tiger?
96
00:05:08,800 --> 00:05:11,220
No, this tiger can't fit another stripe,
I'm all black.
97
00:05:11,310 --> 00:05:13,180
I'm already a panther, no...
I have to take care of myself.
98
00:05:13,270 --> 00:05:15,810
- Well, I ask on the channel.
- Come on, give him a call.
99
00:05:15,890 --> 00:05:17,440
- If you know something.
- Thank you.
100
00:05:17,520 --> 00:05:19,730
- Will you close my camix?
- But call Fernando now, okay?
101
00:05:19,820 --> 00:05:20,980
- Well, now I'm going.
- Dale.
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00:05:21,360 --> 00:05:22,360
- [hit]
- [hit]
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[dial beep]
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[ringtone]
105
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[snorts]
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Do you like it?
[laughing] You stayed… Oh, stop.
107
00:05:33,200 --> 00:05:34,500
- [♪ classical music]
- [cell phone rings]
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Oops, eh… [giggles]
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Hello, Guille.
110
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Marianito, how are you?
111
00:05:39,170 --> 00:05:41,500
Hey, I found out they're here.
Can you get me to Diego?
112
00:05:42,210 --> 00:05:44,590
At this time he cannot assist you.
113
00:05:45,220 --> 00:05:47,380
What's happening?
I'm willing to call him and they won't give me any feedback.
114
00:05:47,470 --> 00:05:49,090
Hey, let's do something, Guille.
115
00:05:49,180 --> 00:05:52,470
Why don't you leave me a message
and I write it down how do I know that you like it?
116
00:05:52,640 --> 00:05:55,060
Mariano, don't be stupid.
Send me to Diego, please.
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00:05:55,180 --> 00:05:57,560
I can't, Guille.
You commit me, do you understand me?
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Listen to me, sweetie.
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[via cell phone]
I gave you that job.
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If it weren't for me,
you would be cleaning up vomit
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00:06:02,440 --> 00:06:04,940
in any shitty club.
Give me Diego, come on.
122
00:06:05,280 --> 00:06:06,400
Tell him something.
123
00:06:06,740 --> 00:06:07,950
[Bertorello] Hello?
124
00:06:08,030 --> 00:06:10,660
- Dieguito. [exhales]
- Coppola, I'm Dr. Bertorello.
125
00:06:10,870 --> 00:06:13,080
I am Diego's legal representative.
126
00:06:13,160 --> 00:06:15,950
I'm going to ask you, please,
Don't ever call this number again.
127
00:06:16,040 --> 00:06:17,960
And get ready, because a black one is coming.
128
00:06:18,250 --> 00:06:20,710
Black? I'm going to leave your face black,
bastard, son of a bitch.
129
00:06:21,130 --> 00:06:23,130
Tell me where you are, I'll look for you,
I'll break your ca...
130
00:06:23,210 --> 00:06:24,210
[short call]
131
00:06:24,300 --> 00:06:25,920
- Play it back, Sam.
- Yes sir.
132
00:06:26,050 --> 00:06:27,380
[♪ piano notes sound]
133
00:06:28,260 --> 00:06:29,260
Again.
134
00:06:29,720 --> 00:06:31,680
Again, Sam. Back.
135
00:06:31,930 --> 00:06:35,100
- My mother's shell.
- [cell phone rings]
136
00:06:35,390 --> 00:06:36,640
[♪ tense music]
137
00:06:36,770 --> 00:06:38,140
- Yes?
- [Viviana] Guille, I know
138
00:06:38,230 --> 00:06:39,270
where is Diego going to speak.
139
00:06:39,560 --> 00:06:40,560
Where?
140
00:06:41,020 --> 00:06:42,480
- [engine speeds up]
- [brake]
141
00:06:42,650 --> 00:06:44,110
- [speakers]
- [indistinct shout]
142
00:06:50,570 --> 00:06:53,330
[Diego] They didn't…they didn't let me come
to Argentina, practically.
143
00:06:53,740 --> 00:06:58,040
I had a problem with Coppola,
an ugly and… and cruel problem.
144
00:06:58,120 --> 00:07:00,120
Did you go to collect it
and they had already collected it?
145
00:07:00,420 --> 00:07:01,830
Everything, absolutely everything.
146
00:07:02,080 --> 00:07:03,960
- Even… silver…
- [Susana]But from a long time ago
147
00:07:04,040 --> 00:07:05,050
or now?
148
00:07:05,130 --> 00:07:08,130
[Diego] Look, hey, I'm not just coming to…
to be a victim.
149
00:07:08,380 --> 00:07:10,970
Me, with Guillermo,
if I have a problem, no problem.
150
00:07:11,050 --> 00:07:13,090
But, hey, I'll take it myself,
151
00:07:13,180 --> 00:07:14,760
but he touched the girls' silver.
152
00:07:15,930 --> 00:07:17,970
What does this say? What are you talking about?
153
00:07:18,180 --> 00:07:20,940
- [Diego] Dalma and Gianinna are my daughters...
- [Coppola] What money?
154
00:07:21,020 --> 00:07:23,440
- …and he messed with that. [indistinct]
- [Coppola snorts]
155
00:07:23,520 --> 00:07:25,520
[Susana] Can it be recovered?
What do the lawyers tell you?
156
00:07:25,610 --> 00:07:29,490
[Diego] Look, hey, I, hey, I committed the sin
to be Guillermo's friend.
157
00:07:29,570 --> 00:07:30,780
[♪ tense music concludes]
158
00:07:32,320 --> 00:07:33,660
[clicking noise]
159
00:07:36,030 --> 00:07:37,040
[moans]
160
00:07:39,700 --> 00:07:40,790
[groan]
161
00:07:41,370 --> 00:07:42,370
What's wrong with you?
162
00:07:42,460 --> 00:07:44,540
- [groans, breathing heavily]
- What's wrong?
163
00:07:44,630 --> 00:07:45,880
Guille, are you okay?
164
00:07:46,000 --> 00:07:47,750
- [Coppola gasps]
- What a fucking mother!
165
00:07:47,840 --> 00:07:49,420
- [sirens]
- [radio operator] SAME, SAME,
166
00:07:49,510 --> 00:07:51,220
we have a male
about 60 years old
167
00:07:51,420 --> 00:07:53,260
with chest pain, possible heart attack.
168
00:07:57,010 --> 00:07:58,930
[sirens continue]
169
00:08:02,640 --> 00:08:04,560
- [lighter clicks]
- [cell phone rings]
170
00:08:05,520 --> 00:08:08,270
- What are you doing, Guille?
- Little friend. Dear, thank you for coming.
171
00:08:08,360 --> 00:08:09,360
How do you feel?
172
00:08:09,610 --> 00:08:12,110
Well, I'm fine. Nothing.
A little bit of pressure, nothing more.
173
00:08:12,200 --> 00:08:14,530
What happens is that these idiots
They have had me here for ten hours
174
00:08:14,700 --> 00:08:15,870
and they don't even come to look at me.
175
00:08:15,990 --> 00:08:18,200
- Here, I brought you what you asked for.
- Uh, thanks.
176
00:08:18,280 --> 00:08:21,200
My phone is shit,
messages, these motherfuckers.
177
00:08:21,710 --> 00:08:23,920
They need a hand, they ask you,
and then they set you on fire.
178
00:08:24,000 --> 00:08:25,460
There is a more urgent issue.
179
00:08:27,290 --> 00:08:31,260
Judge Sarasibar ordered a sentence
embargo on your bank accounts…
180
00:08:32,510 --> 00:08:33,680
and your department.
181
00:08:33,970 --> 00:08:35,010
As?
182
00:08:36,180 --> 00:08:37,430
Are you carrying me?
183
00:08:37,930 --> 00:08:39,970
This crazy guy comes out to say
two stupid things on television,
184
00:08:40,060 --> 00:08:42,270
- And they want to seize my house?
- It's not for that.
185
00:08:42,640 --> 00:08:44,850
It's because of the fire
in the Barrio Parque house.
186
00:08:44,980 --> 00:08:46,770
This was the result of a short circuit.
187
00:08:47,230 --> 00:08:48,400
- [flash]
- Get down from there!
188
00:08:48,480 --> 00:08:49,480
The pony theme, again.
189
00:08:49,730 --> 00:08:50,780
- [sizzling]
-Listen to me...
190
00:08:51,190 --> 00:08:52,400
- To the firefighters in Mariscal Castillo…
- [groans]
191
00:08:52,780 --> 00:08:54,650
Well, but why don't you stop
to ask stupid things and...?
192
00:08:54,990 --> 00:08:57,120
It was verified that it was started
due to the improper use of pyrotechnics,
193
00:08:57,200 --> 00:08:59,450
then the insurance
does not take care of the debt.
194
00:08:59,620 --> 00:09:01,870
What do I have to do with it? What do I know?
Send that bill to the fat man.
195
00:09:01,950 --> 00:09:03,120
I don't work with him anymore.
196
00:09:03,250 --> 00:09:05,000
You signed the contract, Guillermo.
197
00:09:05,080 --> 00:09:07,210
You put your apartment as collateral.
198
00:09:07,540 --> 00:09:10,090
Look, Guille, you have three days
to evict.
199
00:09:10,920 --> 00:09:13,470
And the things, I don't know,
We take them to a warehouse, okay?
200
00:09:18,300 --> 00:09:19,550
The department…
201
00:09:20,180 --> 00:09:22,770
I put the money. That's it.
Let him go to his mother's shell.
202
00:09:22,850 --> 00:09:26,230
Where are you going, William? Where are you going?
They are almost two green sticks.
203
00:09:28,190 --> 00:09:30,730
The embargo of the department
Are they two green sticks?
204
00:09:35,740 --> 00:09:37,490
Live. Viviana.
205
00:09:38,160 --> 00:09:39,490
What's wrong, William?
206
00:09:40,120 --> 00:09:41,160
We're going to hell.
207
00:09:41,240 --> 00:09:43,240
[Viviana] In front is
full of mobile drivers.
208
00:09:43,500 --> 00:09:46,330
If you want, I'll go down first
and I tell them that you are going to talk,
209
00:09:46,410 --> 00:09:48,790
but give you your space to answer,
210
00:09:48,880 --> 00:09:50,710
- to give your version.
- No, what am I going to give?
211
00:09:51,210 --> 00:09:52,710
- I'm not going to talk.
- But why not?
212
00:09:53,000 --> 00:09:56,220
But defend yourself, love.
What Diego said is outrageous.
213
00:09:56,670 --> 00:09:58,510
Vivi, if I go out he's going to talk,
I have to kill him.
214
00:09:58,680 --> 00:10:00,260
I destroy it, you understand?
215
00:10:00,470 --> 00:10:02,970
I don't want to do that.
I prefer that we go out from the back.
216
00:10:03,470 --> 00:10:04,470
Come.
217
00:10:07,190 --> 00:10:09,350
- [man] Coppola, here!
- [indistinct comments]
218
00:10:09,560 --> 00:10:11,020
[indistinct comments]
219
00:10:18,780 --> 00:10:21,120
- Attention! Attention!
- Hey, hey! William, William!
220
00:10:21,990 --> 00:10:24,490
- [indistinct comments]
- William, William! Fast.
221
00:10:24,950 --> 00:10:27,580
- [man] A question, Guillermo.
- [Coppola] Vivi, get on.
222
00:10:27,660 --> 00:10:29,580
Come on, teacher, come on, come on, come on!
223
00:10:29,670 --> 00:10:32,340
- [man] What is happening with Diego?
- [mermaid]
224
00:10:34,500 --> 00:10:38,550
- [bustle]
- [indistinct comments]
225
00:10:38,720 --> 00:10:40,800
[journalist] And so it goes
William Coppola,
226
00:10:40,890 --> 00:10:43,890
- without making statements.
- [shutter clicks]
227
00:10:48,430 --> 00:10:49,640
[Coppola] Do you have any cash?
228
00:10:49,890 --> 00:10:51,100
[Viviana] I just have this.
229
00:10:51,190 --> 00:10:52,770
Arielito, I'll reinforce you later, okay?
230
00:10:52,860 --> 00:10:54,520
You know I left without any cash.
231
00:10:57,320 --> 00:10:58,650
[mermaid]
232
00:11:04,830 --> 00:11:07,700
I am Hector Maugeri,
vice director of Caras magazine,
233
00:11:07,910 --> 00:11:11,000
celebrity magazine,
the only one authorized
234
00:11:11,120 --> 00:11:14,290
to tell you the worst
by Guillermo Coppola.
235
00:11:15,210 --> 00:11:16,210
Like the worst?
236
00:11:16,840 --> 00:11:18,300
- Are we already there?
- Are you kidding me?
237
00:11:18,380 --> 00:11:19,720
- We're done.
- But how the worst?
238
00:11:19,800 --> 00:11:22,050
You told me we were going to make a note,
a nice note.
239
00:11:22,140 --> 00:11:23,930
You're trashing me.
On top of that you do this to me…
240
00:11:24,010 --> 00:11:25,850
make this shitty announcement to you.
241
00:11:25,930 --> 00:11:27,140
Look at the number of amphorae.
242
00:11:27,600 --> 00:11:28,810
In your life you saw so many watches together.
243
00:11:29,230 --> 00:11:30,810
- [groan]
- [♪ playful music]
244
00:11:31,060 --> 00:11:32,060
It is immaculate.
245
00:11:32,230 --> 00:11:34,480
[moan, groan]
246
00:11:35,110 --> 00:11:37,940
Covered. Opaline. Paintings.
247
00:11:38,150 --> 00:11:40,450
[Maugeri] This is granite, it is not marble.
But it's Italian granite.
248
00:11:40,530 --> 00:11:41,950
Not granite from González Catán.
249
00:11:42,860 --> 00:11:44,120
[car salesman] Let's see.
250
00:11:45,990 --> 00:11:47,410
[snorts]
251
00:11:47,620 --> 00:11:49,080
Here's a bun, eh?
252
00:11:49,660 --> 00:11:51,370
Oh yeah? Let's be serious, Hector.
253
00:11:51,460 --> 00:11:52,960
Take a real look, evaluate the thing well.
254
00:11:53,040 --> 00:11:55,250
The number of Caras productions
what we did here,
255
00:11:55,340 --> 00:11:56,920
- this has added value.
- No, no, don't mix.
256
00:11:57,000 --> 00:11:58,670
This is included, right?
257
00:11:58,840 --> 00:12:01,170
No, that's invaluable.
I have to rip your head off.
258
00:12:01,300 --> 00:12:03,090
This is a museum, this is not a house.
259
00:12:06,010 --> 00:12:07,140
[seller] And what is this?
260
00:12:07,220 --> 00:12:09,140
Oh yes, yes. A nonsense.
261
00:12:09,430 --> 00:12:11,810
But this, with Didi Seven,
It comes out in two minutes, huh?
262
00:12:11,890 --> 00:12:13,390
This has to be done by a craftsman.
263
00:12:13,560 --> 00:12:15,190
What craftsman? Listen to me one thing.
264
00:12:15,520 --> 00:12:17,440
They wrote it to Diego
after doping.
265
00:12:17,520 --> 00:12:20,440
Do you tell that?
You get a bonus per collectible item.
266
00:12:20,650 --> 00:12:23,280
Pay attention to the designs,
look. Louis XIV, Louis XV,
267
00:12:23,570 --> 00:12:25,410
Louis XVI, we have all the Louises.
268
00:12:25,620 --> 00:12:26,740
Do you sell this creature?
269
00:12:26,990 --> 00:12:28,700
- It is a turkey cristatus brought…
- Look.
270
00:12:28,790 --> 00:12:30,250
…directly from India.
271
00:12:30,370 --> 00:12:32,500
If you are interested,
I can leave it to you on loan.
272
00:12:32,710 --> 00:12:33,920
[turkey gulps]
273
00:12:34,370 --> 00:12:36,500
I'm going to lower you 15%
than what you had asked me for.
274
00:12:36,580 --> 00:12:38,460
Less than 400 lucas,
I'm giving you everything.
275
00:12:38,540 --> 00:12:39,550
No.
276
00:12:39,710 --> 00:12:40,760
[Coppola] You know how to sell cars.
277
00:12:40,920 --> 00:12:43,470
You sold every catramine,
And you can't sell me this ship?
278
00:12:43,630 --> 00:12:44,630
Three seventy-five.
279
00:12:44,720 --> 00:12:45,720
Three hundred.
280
00:12:45,840 --> 00:12:47,600
Guille, you don't live on anecdotes.
281
00:12:47,760 --> 00:12:50,100
Birthday of the king of Arabia.
We arrived with Diego.
282
00:12:50,390 --> 00:12:52,770
[car salesman]
Either you go down 15% or you take it.
283
00:12:53,060 --> 00:12:54,060
Made.
284
00:12:54,770 --> 00:12:55,770
[♪playful music concludes]
285
00:12:56,440 --> 00:12:58,310
Anyway, from what you tell me,
mediation does not pass.
286
00:12:58,900 --> 00:13:01,650
- [indistinct]
- Well, therefore, temporary. Bye.
287
00:13:05,950 --> 00:13:07,620
[♪ melancholic music]
288
00:13:10,200 --> 00:13:11,200
[sighs]
289
00:13:21,880 --> 00:13:23,300
[indistinct comment]
290
00:13:25,260 --> 00:13:27,470
[neighbor] Guille. Guille.
291
00:13:28,140 --> 00:13:29,220
Over there.
292
00:13:33,980 --> 00:13:36,230
I think that on Monday when I come across it
to Diego in the mediation,
293
00:13:36,310 --> 00:13:37,310
This whole mess is over.
294
00:13:37,400 --> 00:13:38,520
[indistinct voices on TV]
295
00:13:38,600 --> 00:13:41,480
[clicks tongue] I'll tell you more.
When he finds out that I'm on the street
296
00:13:41,570 --> 00:13:43,190
because of the fire
from Barrio Parque…
297
00:13:43,530 --> 00:13:44,780
You're not on the street.
298
00:13:45,360 --> 00:13:46,900
It's a way of saying, my love.
299
00:13:47,070 --> 00:13:48,280
Yes I like this place.
300
00:13:48,910 --> 00:13:50,830
Nice, it's intimate, I like it.
301
00:13:51,830 --> 00:13:52,830
Rustic.
302
00:13:53,540 --> 00:13:55,160
[indistinct voices on TV continue]
303
00:13:55,370 --> 00:13:58,830
They told me that Claudia is going to be sued.
for the management of funds.
304
00:13:59,670 --> 00:14:01,630
Poor thing, she must be having a hard time.
305
00:14:01,880 --> 00:14:04,130
[Viviana] Poor?
After what he did to you?
306
00:14:04,260 --> 00:14:06,970
But, Vivi, he didn't do it to me.
He did it to himself.
307
00:14:07,050 --> 00:14:09,260
If you are having a bad time. is fighting
with everyone he loves.
308
00:14:09,340 --> 00:14:12,060
Hey, I still think you have to talk.
309
00:14:12,430 --> 00:14:14,640
Because everyone gets confused
this silence of yours
310
00:14:14,720 --> 00:14:18,770
with a kind of admission of guilt.
And I tell you, I understand them.
311
00:14:18,850 --> 00:14:21,900
Because you always came out to talk.
And if you don't speak now, it seems, I don't know,
312
00:14:22,190 --> 00:14:24,320
that you have nothing to say.
313
00:14:24,480 --> 00:14:25,990
But Vivi, you don't understand.
314
00:14:26,190 --> 00:14:30,820
I'm going to fix this with Diego
face to face, as we always did.
315
00:14:31,530 --> 00:14:34,870
[Coppola] Dieguito, how are you, my love?
Do you want us to talk?
316
00:14:35,160 --> 00:14:36,160
[opens door]
317
00:14:38,460 --> 00:14:39,790
- Good morning.
- Good morning.
318
00:14:39,870 --> 00:14:40,880
- Good morning.
- Good morning.
319
00:14:41,210 --> 00:14:42,210
- Good morning.
- Good morning.
320
00:14:42,540 --> 00:14:43,670
- Good morning.
- Good morning.
321
00:14:44,090 --> 00:14:45,090
- Good morning.
- Good morning.
322
00:14:45,210 --> 00:14:46,210
Diego isn't coming?
323
00:14:46,420 --> 00:14:48,880
No, uh, my client
He doesn't want to cross paths with you.
324
00:14:49,630 --> 00:14:53,100
After four days
of the month of August 2005,
325
00:14:53,180 --> 00:14:56,470
we begin mediation
between Mr. Guillermo Esteban Coppola
326
00:14:56,850 --> 00:14:59,270
and Mr. Diego Armando Maradona,
absent,
327
00:14:59,350 --> 00:15:03,060
establishing Mr. Damián Bertorello
in representation.
328
00:15:03,480 --> 00:15:05,610
- [Coppola] Very good. Well. Aha.
- [lawyer] Come on…
329
00:15:06,400 --> 00:15:08,030
Don't worry, Guille.
Go with everything, but calm down.
330
00:15:08,110 --> 00:15:09,570
[Coppola murmurs] Easy, easy.
331
00:15:12,620 --> 00:15:13,620
What is this?
332
00:15:13,950 --> 00:15:19,080
This and everything that is there,
year 86 to 95, 96 to date,
333
00:15:19,160 --> 00:15:20,250
20 years of tickets.
334
00:15:20,370 --> 00:15:25,420
From eight kilos six hundred,
fresh udder, purchased on 12/28/99,
335
00:15:25,590 --> 00:15:29,090
Barrio Sur butcher shop, brain ravioli.
Swim shorts, three golf carts,
336
00:15:29,170 --> 00:15:32,340
48 suits number six, bar, restaurant,
audio equipment, lights,
337
00:15:32,760 --> 00:15:35,300
smoke machine
More udder, bubble machine,
338
00:15:35,510 --> 00:15:37,060
spiritualism sessions,
Fiumicino airport Closed,
339
00:15:37,140 --> 00:15:39,140
spiritualism sessions.
Fiumicino airport closed.
340
00:15:39,310 --> 00:15:41,100
Spiritualism sessions, casino…
[indistinct]
341
00:15:41,190 --> 00:15:44,520
Pelopincho, 22 dancers,
company The dwarf of your life,
342
00:15:44,980 --> 00:15:49,900
military tank, bazooka, 29 costumes
del Chavo del 8, 78 boxes of Mejorarito
343
00:15:50,150 --> 00:15:53,070
and properties acquired
under my administration.
344
00:15:53,160 --> 00:15:55,530
Take all the time you want
to review it, please.
345
00:15:55,660 --> 00:15:57,080
What my client claims
346
00:15:57,490 --> 00:15:59,660
It's not on butcher paper,
347
00:15:59,910 --> 00:16:01,960
fireworks, bubbles…
348
00:16:03,710 --> 00:16:05,750
We are talking
of hundreds of thousands of dollars,
349
00:16:05,920 --> 00:16:08,000
which Mr. Coppola
hid under a rug.
350
00:16:08,550 --> 00:16:10,260
Rug? What rug?
351
00:16:10,880 --> 00:16:12,760
If they didn't let me
not even a fucking rug you guys.
352
00:16:12,840 --> 00:16:13,840
Gentlemen, the forms.
353
00:16:13,930 --> 00:16:15,430
No, no, no, no, no.
But explain to me.
354
00:16:15,850 --> 00:16:17,600
because I'm living
in a two-room
355
00:16:17,680 --> 00:16:20,180
where if I fart I have to go out
because the three of us didn't go in.
356
00:16:20,640 --> 00:16:22,350
The room is so small
I dream the same as my girlfriend
357
00:16:22,440 --> 00:16:24,310
and this man intends
that I was left with money.
358
00:16:24,600 --> 00:16:26,770
How much money did I keep?
Let's see, how much money?
359
00:16:27,020 --> 00:16:30,400
Adding interest and penalties,
two million dollars.
360
00:16:31,690 --> 00:16:36,240
[laughs] Brother, if I had
two million dollars,
361
00:16:36,320 --> 00:16:38,240
I wouldn't be looking at your face.
362
00:16:38,330 --> 00:16:41,620
I would be in Ibiza fanning her tits
to my girlfriend and having a glass of sangria.
363
00:16:41,700 --> 00:16:43,250
- Gentleman, please, watch your language.
- No, no, it's okay.
364
00:16:43,330 --> 00:16:46,710
Eh, res... respect
to my client's housing situation,
365
00:16:46,790 --> 00:16:49,920
took on a substantial debt
which was not acquired by him.
366
00:16:50,420 --> 00:16:54,180
It was acquired by Mr. Maradona
due to a building fire
367
00:16:54,260 --> 00:16:55,510
located in Barrio Parque.
368
00:16:55,680 --> 00:16:58,850
My client in good faith put up a guarantee
the only property you have
369
00:16:59,010 --> 00:17:01,640
- and was evicted.
- If you want to prosecute
370
00:17:01,770 --> 00:17:03,520
that claim, they are within their rights.
371
00:17:04,190 --> 00:17:06,560
Total, in ten years
the sentence will be.
372
00:17:07,150 --> 00:17:09,320
We have all the time
of the world to litigate.
373
00:17:10,570 --> 00:17:12,530
Bertorellos, right? Your name?
374
00:17:12,780 --> 00:17:13,780
Bertorello.
375
00:17:14,320 --> 00:17:16,450
- Why don't you suck my egg well?
- [judge] Watch your language.
376
00:17:16,610 --> 00:17:17,820
- Please. [indistinct]
- The only thing I'm telling you,
377
00:17:17,910 --> 00:17:19,580
- and I tell you with all due respect...
- [judge] Please, gentlemen.
378
00:17:19,780 --> 00:17:22,950
…I spent fifteen years advising
to your current representative.
379
00:17:23,040 --> 00:17:24,250
- [judge] Please, gentlemen.
- Shall we withdraw?
380
00:17:24,660 --> 00:17:26,750
You are a bastard.
Look what you are, look what you are.
381
00:17:26,830 --> 00:17:27,830
[indistinct]
382
00:17:29,460 --> 00:17:32,090
What happens if you don't answer the phone?
fat shit?
383
00:17:32,210 --> 00:17:33,420
Are you afraid to talk to me?
384
00:17:33,510 --> 00:17:35,930
Ask me for two green sticks in the face,
son of a bitch
385
00:17:36,090 --> 00:17:38,180
After all the money
that I put out of my pocket
386
00:17:38,260 --> 00:17:40,810
to cover your shit?
I gave you everything, I gave you life.
387
00:17:41,430 --> 00:17:43,770
[woman screams] Learn to drive,
old idiot!
388
00:17:43,850 --> 00:17:45,560
Go to your mother's shell!
389
00:17:45,730 --> 00:17:48,270
I cleaned your ortho, son of a bitch!
390
00:17:48,440 --> 00:17:50,980
I'm going to make your phone shit
until you take care of me!
391
00:17:51,070 --> 00:17:52,110
[brake]
392
00:17:52,190 --> 00:17:53,190
The poronga!
393
00:17:53,280 --> 00:17:54,360
[cell phone rings]
394
00:17:55,360 --> 00:17:56,570
Diego?
395
00:17:56,650 --> 00:17:57,660
No, it's me.
396
00:17:57,740 --> 00:18:00,240
[Viviana] My ex just told me
that Diego is in a country house in Moreno.
397
00:18:01,030 --> 00:18:02,240
[♪ lively music]
398
00:18:05,710 --> 00:18:06,910
- [shutter clicks]
- [turns off engine]
399
00:18:07,040 --> 00:18:08,040
[man] Hey, Guille.
400
00:18:08,540 --> 00:18:10,000
Hey, Guille. What are you doing here?
401
00:18:10,080 --> 00:18:12,500
- [Coppola] How are we doing? Good?
- What are you doing? All good…
402
00:18:12,590 --> 00:18:14,300
Can you tell me what I brought?
some boxes of wine to Diego?
403
00:18:14,550 --> 00:18:16,800
- Come on, give me a minute so I can consult.
- [Coppola] Stop, stop…
404
00:18:16,880 --> 00:18:18,470
- Open me up, it's two minutes.
- It's a second.
405
00:18:18,550 --> 00:18:20,550
Open me, open me. Limp, open me up.
406
00:18:21,680 --> 00:18:24,310
- [whispers] My mother's concha.
- [shutter clicks]
407
00:18:24,600 --> 00:18:26,100
What do you get? What do you get?
408
00:18:26,180 --> 00:18:28,020
No, no, no. Rubén, Rubén, not this.
409
00:18:31,190 --> 00:18:32,400
[Coppola] Open the door for me, Mariano.
410
00:18:32,650 --> 00:18:33,980
Guille, don't complicate things for me.
411
00:18:34,280 --> 00:18:35,610
Don't be stupid, open the door for me.
412
00:18:35,780 --> 00:18:38,700
Bring Diego here. tell me
to the face that I stole money from him. Bring it to me.
413
00:18:38,780 --> 00:18:41,070
You are forcing me
for me to call the police.
414
00:18:41,160 --> 00:18:42,660
[Coppola] Are you threatening me?
415
00:18:42,740 --> 00:18:44,450
Son of a bitch. after all
what I did for you,
416
00:18:44,660 --> 00:18:46,160
Do you have the brains to do that?
417
00:18:46,250 --> 00:18:48,540
Guille, if I let you pass,
I'm out of work, you understand?
418
00:18:48,620 --> 00:18:49,710
And now I have a girl.
419
00:18:49,870 --> 00:18:53,210
They suck both my eggs
you and your fucking family.
420
00:18:53,290 --> 00:18:54,300
Mariano, open the door for me.
421
00:18:54,380 --> 00:18:56,090
You can't talk to me
this way.
422
00:18:56,510 --> 00:18:57,670
Well, let's talk calmly.
423
00:18:57,760 --> 00:18:59,720
- Let's talk calmly.
- I love you. [indistinct]
424
00:18:59,800 --> 00:19:01,840
- Stop, stop.
- Open the door for me, you son of a bitch.
425
00:19:01,930 --> 00:19:03,510
Bring the fat man here. Bring it to me.
426
00:19:03,680 --> 00:19:05,770
Do you have the balls to talk on TV
and not talk here?
427
00:19:05,850 --> 00:19:07,390
I went out. Open the door for me. Son of a bitch.
428
00:19:07,480 --> 00:19:09,100
- You're making me dirty, Guillermo.
- Son of a bitch.
429
00:19:09,190 --> 00:19:10,690
- Hey, stop. For.
- [indistinct]
430
00:19:10,770 --> 00:19:11,770
he has the balls
to speak on television.
431
00:19:12,190 --> 00:19:13,810
Let him say it to my face.
Open the door for me.
432
00:19:14,150 --> 00:19:15,860
- Get down from there.
- [grunts] Open the door for me.
433
00:19:16,110 --> 00:19:17,570
- Get down from there. Get off.
- Your mother's pussy.
434
00:19:18,570 --> 00:19:20,740
- [laughs]
- Oh, wait until I bring you a wipe.
435
00:19:20,820 --> 00:19:22,160
Wipe the balls.
436
00:19:22,240 --> 00:19:23,240
- A wipe to clean it.
- [spits]
437
00:19:23,530 --> 00:19:25,120
[Mariano] I left. I can't open it for you.
438
00:19:25,410 --> 00:19:27,620
I can't open it for you.
Forgive me. I can't open it for you.
439
00:19:28,160 --> 00:19:29,160
[reverse beep]
440
00:19:29,410 --> 00:19:30,830
[♪ sentimental music]
441
00:19:36,340 --> 00:19:38,630
Don Enzo signs, I sign,
contract in hand,
442
00:19:38,710 --> 00:19:40,840
He's leaving and I tell him...
443
00:19:41,130 --> 00:19:43,140
[speaks in Italian]
444
00:19:45,970 --> 00:19:48,020
[laughs]
445
00:19:54,610 --> 00:19:55,820
- [laughs]
- They paint it black.
446
00:19:57,480 --> 00:20:00,610
First Ferrari in history
that is not red.
447
00:20:00,700 --> 00:20:02,200
- Well, it's Diego. It's Diego.
- It was just like that.
448
00:20:02,280 --> 00:20:03,280
The Diego, the Diego.
449
00:20:03,700 --> 00:20:06,280
Well, Guille, a thousand pesos.
450
00:20:06,830 --> 00:20:07,830
- Excellent.
- Count them.
451
00:20:08,080 --> 00:20:09,830
- No no.
- Count them.
452
00:20:10,120 --> 00:20:11,120
Well.
453
00:20:11,870 --> 00:20:15,290
One, two, three, four...
Wait I got lost.
454
00:20:16,500 --> 00:20:17,550
[♪ melancholic music]
455
00:20:18,250 --> 00:20:19,510
[lighter click]
456
00:20:22,510 --> 00:20:26,260
[Coppola] My name,
Guillermo Esteban Coppola,
457
00:20:26,680 --> 00:20:28,260
alias Guillote.
458
00:20:28,720 --> 00:20:30,600
I have traveled the world several times.
459
00:20:31,060 --> 00:20:33,850
Modena, Enzo Ferrari offices.
460
00:20:34,060 --> 00:20:35,940
[speaks in Italian]
461
00:20:39,690 --> 00:20:42,190
I tell him: "Diego, Diego.
Come, come, come. "Diego."
462
00:20:42,490 --> 00:20:45,240
Vatican. Saudi Arabia.
463
00:20:46,200 --> 00:20:47,910
Stop, stop, stop.
464
00:20:48,030 --> 00:20:49,450
Commit something else, Guille, won't you?
465
00:20:49,540 --> 00:20:51,080
- No, no, no. I'm already there.
- No?
466
00:20:51,200 --> 00:20:53,080
[Coppola whispers] I'm with the people.
I'm telling people.
467
00:20:53,160 --> 00:20:54,460
Wait, I'll let you know.
468
00:20:54,540 --> 00:20:56,920
Do you want us to take a photo?
A, this… autograph,
469
00:20:57,000 --> 00:20:59,750
If you want me to leave you the message
answering machine.
470
00:20:59,960 --> 00:21:02,720
Wait, wait, wait, wait.
471
00:21:02,800 --> 00:21:05,630
Javier, at this moment
can't help you
472
00:21:05,840 --> 00:21:07,510
because they are sucking his dick.
473
00:21:07,680 --> 00:21:09,430
[laughs]
474
00:21:10,100 --> 00:21:11,100
[♪ music concludes]
475
00:21:12,220 --> 00:21:14,100
The tip. You earned it.
476
00:21:14,190 --> 00:21:15,940
Well, well, I thank you.
477
00:21:16,020 --> 00:21:17,860
- Rodolfito. [kisses] A pleasure.
- Well.
478
00:21:18,190 --> 00:21:20,400
Guillote, before you go,
I have a question for you.
479
00:21:20,480 --> 00:21:22,900
- [sighs] Yes, tell me.
- Do you do other types of events?
480
00:21:23,110 --> 00:21:25,110
Yes, whatever you want I do to you, this one,
481
00:21:25,450 --> 00:21:28,530
birthdays, weddings, eh,
inaugurations, bar mitzvahs.
482
00:21:28,620 --> 00:21:30,990
Brilliant. in two weeks
It's my baby's birthday.
483
00:21:31,120 --> 00:21:32,330
Of fifteen. Do you drink?
484
00:21:32,830 --> 00:21:34,040
- Two weeks?
- Yes.
485
00:21:34,120 --> 00:21:36,750
- Let's see. Tell me when it is.
- [Rodolfo] On Saturday the twenty-second.
486
00:21:37,250 --> 00:21:40,710
No, you will die if you go.
No no. He loves you, he is dying.
487
00:21:41,300 --> 00:21:44,420
Fifteen thirty I have the convention
of the Argentine Chamber
488
00:21:44,510 --> 00:21:47,220
of the Plastic Industry in Campana.
489
00:21:47,430 --> 00:21:48,930
- But 15:30?
- Yes.
490
00:21:49,010 --> 00:21:50,260
- This is the night.
- What do you need?
491
00:21:50,390 --> 00:21:53,060
- No, [indistinct] that you are at 8:30 p.m.
- Yes, I'm here at 8:30 p.m.
492
00:21:53,140 --> 00:21:54,520
I make the girl go down
when you arrive
493
00:21:54,600 --> 00:21:56,100
- I'm twenty thirty.
- I'm calling you tomorrow.
494
00:21:56,190 --> 00:21:57,190
[Coppola] Perfect, come on.
495
00:21:57,350 --> 00:21:58,940
I prepared some sausages for you
for you to take away.
496
00:21:59,730 --> 00:22:01,440
Well, come on. Give it. They suit me well.
497
00:22:01,520 --> 00:22:03,280
- [Rodolfo] Come on, Guille.
- Dear, a pleasure, huh?
498
00:22:03,820 --> 00:22:04,820
A pleasure. [speaks in Italian, laughs]
499
00:22:05,190 --> 00:22:07,400
- Yes, yes, yes. [laughs] Well.
- [Rodolfo] I see you, crack.
500
00:22:07,660 --> 00:22:09,570
To the left you come out. There.
501
00:22:09,660 --> 00:22:11,120
- [Coppola] Dale, thanks.
- [Rodolfo] Thank you.
502
00:22:11,490 --> 00:22:13,620
[presenter, over speakers]
And now we ask you
503
00:22:13,700 --> 00:22:15,580
to all guests
a very loud applause
504
00:22:15,660 --> 00:22:18,620
for our star birthday girl,
Agostina.
505
00:22:18,710 --> 00:22:21,250
- [cheers, applause]
- [presenter]Up those palms!
506
00:22:21,590 --> 00:22:24,050
- Up, Agostina!
- [presenter] Of course.
507
00:22:25,130 --> 00:22:26,130
[♪ waltz plays]
508
00:22:26,380 --> 00:22:28,510
[Rodolfo] Here I come, my love.
Go with Guille there.
509
00:22:28,590 --> 00:22:30,300
You don't have the faintest idea
Whose am I, right?
510
00:22:30,760 --> 00:22:32,850
- Do you work with my dad?
- [presenter] Daddy, mommy,
511
00:22:32,930 --> 00:22:35,100
- Come say hello.
- Well, now it is, huh?
512
00:22:35,220 --> 00:22:37,310
As the saying goes,
Can you grant me this piece?
513
00:22:37,390 --> 00:22:39,020
- Of course. Yes, yes.
- [laughs]
514
00:22:39,520 --> 00:22:42,650
Now it goes, my love.
Dance there... dance there with mom for a little while.
515
00:22:43,020 --> 00:22:45,860
Come, come, Hector, come.
Come, come, come. Yeah.
516
00:22:46,530 --> 00:22:48,280
- GOOD?
- [Héctor] Good.
517
00:22:48,490 --> 00:22:50,990
- [Rodolfo] Come, take photos here.
- [shutter click]
518
00:22:51,870 --> 00:22:54,200
[Rodolfo] Come on, my love,
Go rest for a little while, go.
519
00:22:55,200 --> 00:22:57,080
- [shutter click]
- Come, Héctor, come.
520
00:22:58,040 --> 00:23:02,210
I have the old man there and I tell him:
"One more thing, Don Enzo..." [in Italian]
521
00:23:03,790 --> 00:23:06,670
Do you know I have a few million dollars?
I don't even know what to do with them.
522
00:23:06,760 --> 00:23:07,840
- Ah.
- [Rodolfo] Come.
523
00:23:07,920 --> 00:23:09,930
Hey, you're not going to make me dance
with all your friends.
524
00:23:10,050 --> 00:23:11,050
[Rodolfo] No, no, no.
525
00:23:11,180 --> 00:23:13,760
Just like everything,
because then Diego gets on and…
526
00:23:13,930 --> 00:23:17,140
- There. Happiness.
- [shutter clicks]
527
00:23:18,310 --> 00:23:20,310
- Laughter!
- Come on, up!
528
00:23:20,480 --> 00:23:22,190
Come on, Agostina!
529
00:23:22,980 --> 00:23:25,480
Listen, I have a bag of groceries,
came to the bathroom with me.
530
00:23:25,570 --> 00:23:27,230
- [Coppola] It's your daughter's party.
- That's why.
531
00:23:27,320 --> 00:23:28,320
Don't go overboard.
532
00:23:28,740 --> 00:23:31,240
- But you give it a whack and the party continues!
- Nothing.
533
00:23:31,410 --> 00:23:32,570
[Rodolfo] Thank you, Guille.
534
00:23:32,740 --> 00:23:37,330
You better know what you have to do?
Give the money back to the girls. Thief.
535
00:23:37,540 --> 00:23:41,250
You took it and smoked it all.
You ruined Diego.
536
00:23:41,460 --> 00:23:43,880
Did I ruin Diego?
What do you know, drunk?
537
00:23:43,960 --> 00:23:45,790
- And now you want... [indistinct]
- Stay away
538
00:23:45,920 --> 00:23:47,670
because I'm going to break your head.
539
00:23:47,840 --> 00:23:50,010
- I'm going to break you. Hold on Diego!
- [muffled screams]
540
00:23:50,630 --> 00:23:51,630
[laughs]
541
00:23:52,220 --> 00:23:55,510
- Oh! Dad!
- [Rodolfo] I'm not here!
542
00:23:56,260 --> 00:23:57,640
Hector.
543
00:23:58,020 --> 00:23:59,020
[♪ dramatic music]
544
00:23:59,100 --> 00:24:01,810
- Let's see, someone jump.
- [woman] Please help.
545
00:24:07,070 --> 00:24:08,650
[♪ pop music in the car]
546
00:24:11,150 --> 00:24:14,490
William. What are you doing here?
Are you going back to the building?
547
00:24:14,570 --> 00:24:17,450
What are you doing, Oscarcito?
No, no, no, this...
548
00:24:17,530 --> 00:24:18,620
- [turns off engine]
- [♪ music for]
549
00:24:18,700 --> 00:24:22,120
I was passing by, you saw, I'm coming from dinner
at the house of some friends and…
550
00:24:22,460 --> 00:24:24,330
nothing, see you, how are you doing?
551
00:24:24,670 --> 00:24:27,630
- Well, well, here, working.
- Good? Is everything in order in the building?
552
00:24:27,710 --> 00:24:30,710
Divine, divine. The same as always,
William. Are you doing well?
553
00:24:30,840 --> 00:24:32,880
Good, very good, barbarian.
The truth is that… the truth is that it is very good.
554
00:24:32,970 --> 00:24:36,800
Look, you know what? Since I have you...
I'm setting up a sole proprietorship, you see?
555
00:24:37,010 --> 00:24:39,140
Theater, with my stories and that.
556
00:24:39,260 --> 00:24:41,520
Me Guillermo, his name is.
It's in a little theater in Quilmes.
557
00:24:41,730 --> 00:24:43,640
- Look how good.
- Eh, well, nothing.
558
00:24:43,730 --> 00:24:45,940
Do you want to come?
I leave you a couple of entries.
559
00:24:46,020 --> 00:24:49,190
I'll leave you two, four, I'll leave you six.
Yeah? You come with some friends.
560
00:24:49,270 --> 00:24:51,690
I don't have friends, Guillermo,
Did you see that not...?
561
00:24:51,940 --> 00:24:54,610
I'll leave them the same to you.
Well, Oscarcito, thanks, dude.
562
00:24:54,910 --> 00:24:59,410
It's... wait, it's been coming several times
a lawyer, a certain Lucas Maceo,
563
00:24:59,580 --> 00:25:00,700
who wants to locate you.
564
00:25:01,830 --> 00:25:02,830
Eh…
565
00:25:03,660 --> 00:25:05,830
No, I don't know, don't tell him anything,
just in case.
566
00:25:05,920 --> 00:25:07,880
- [Oscar] Okay.
- Yes, I don't want to know anything about a lawyer.
567
00:25:08,040 --> 00:25:10,500
- Barbarian.
- Yeah? Well, Oscarcito.
568
00:25:10,630 --> 00:25:12,170
- [Oscar] Okay.
- I'll see you later, dude.
569
00:25:12,260 --> 00:25:13,970
- [Oscar] Take care, Guillermo. See you.
- You too.
570
00:25:14,050 --> 00:25:15,090
[engine starts]
571
00:25:17,800 --> 00:25:18,800
[♪ suspense music]
572
00:25:20,310 --> 00:25:21,560
[drum roll]
573
00:25:26,560 --> 00:25:27,560
[little applause]
574
00:25:30,360 --> 00:25:31,360
[man] William.
575
00:25:31,780 --> 00:25:33,360
- [Coppola] Good evening, Quilmes.
- [man clears throat]
576
00:25:33,570 --> 00:25:36,320
- Good evening everyone.
- [man yawns]
577
00:25:36,530 --> 00:25:39,450
- My name, Guillermo Esteban Coppola.
- [microphone coupling]
578
00:25:40,410 --> 00:25:44,200
- [barks]
- [laughs] There is a little dog.
579
00:25:45,500 --> 00:25:50,380
Hey, Vatican, let's meet the Pope,
to the Holy Father.
580
00:25:50,710 --> 00:25:52,300
- Eighty dwarfs and Diego.
- [♪ instrumental music]
581
00:25:52,670 --> 00:25:55,970
Riyadh, Saudi Arabia,
the prince
582
00:25:56,180 --> 00:25:57,680
Diego, the commander.
583
00:25:57,840 --> 00:26:00,890
- The… [indistinct] is tremendous
- That was... that was difficult, wasn't it?
584
00:26:01,010 --> 00:26:02,600
[Coppola] Diego, the president.
585
00:26:03,220 --> 00:26:06,140
Ricky Martin.
The night before, Paraguayan soup.
586
00:26:06,310 --> 00:26:08,350
Diego's mother had made it.
587
00:26:08,560 --> 00:26:10,770
We prepare to go to Rome.
588
00:26:11,400 --> 00:26:13,280
[laughs]
589
00:26:15,940 --> 00:26:17,820
The intestines…
590
00:26:18,360 --> 00:26:20,200
- a little bit demanding already.
- [farts]
591
00:26:20,280 --> 00:26:23,490
A little job, Paraguayan soup,
saying the dwarf Nelson.
592
00:26:23,660 --> 00:26:24,660
I, William.
593
00:26:24,750 --> 00:26:28,670
They take us to a small office
to wait for Juan Pablo. Some flatos.
594
00:26:29,120 --> 00:26:31,130
- [laughs] What a son of…
- [Coppola] But no... One, two.
595
00:26:31,210 --> 00:26:33,210
- Why don't you lower your voice a little?
- What a son of…
596
00:26:33,380 --> 00:26:35,760
More like Chernobyl than a meal.
597
00:26:35,840 --> 00:26:36,840
[laughs]
598
00:26:37,050 --> 00:26:40,430
Folded And I tell him, stop, Diego, stop.
599
00:26:40,930 --> 00:26:44,560
[speaks in Italian]
600
00:26:44,930 --> 00:26:47,430
- [Coppola] But rich, rich. No, delicious.
- [snore]
601
00:26:47,600 --> 00:26:51,900
He called the dad stupid. Of course,
the hearing was over.
602
00:26:52,020 --> 00:26:53,650
Diego, Diego! Come, Diego.
603
00:26:53,940 --> 00:26:56,860
Empanada, one that he liked a lot,
of cheesecake.
604
00:26:56,940 --> 00:26:57,990
[they exclaim]
605
00:26:58,860 --> 00:27:00,160
[laughs, claps]
606
00:27:00,240 --> 00:27:02,450
- Thanks for everything.
- [barks]
607
00:27:03,330 --> 00:27:05,040
- [applause]
- [Coppola] Thank you, thank you, Quilmes.
608
00:27:05,120 --> 00:27:06,370
Close. [indistinct]
609
00:27:07,370 --> 00:27:08,790
Thanks, Quilmes.
610
00:27:12,500 --> 00:27:13,880
- [♪ music fades]
- [sighs]
611
00:27:14,670 --> 00:27:16,210
- [barks]
- [♪ melancholic music]
612
00:27:17,510 --> 00:27:19,220
[Coppola] Nobody, not even the parrot came.
613
00:27:20,260 --> 00:27:22,340
What a tear, for God's sake.
614
00:27:22,760 --> 00:27:24,260
Don't be negative, Guille.
615
00:27:24,720 --> 00:27:26,470
You were fantastic.
616
00:27:26,850 --> 00:27:29,980
That's just a... little bit long.
617
00:27:30,730 --> 00:27:32,060
It lasted thirty-eight minutes.
618
00:27:32,230 --> 00:27:35,980
Able to invent
some new anecdotes.
619
00:27:36,070 --> 00:27:38,110
That's why everyone knows these.
620
00:27:38,400 --> 00:27:41,240
How to invent?
I don't invent anecdotes.
621
00:27:42,280 --> 00:27:44,370
It is part of my life, of what I lived.
622
00:27:44,490 --> 00:27:46,370
Life in a big way.
623
00:27:46,580 --> 00:27:49,200
What I wonder
It is if there is an audience that would like
624
00:27:49,500 --> 00:27:52,000
listen to your anecdotes.
If they are not demodé.
625
00:27:52,080 --> 00:27:53,170
Do you understand, Guillermo?
626
00:27:53,630 --> 00:27:55,500
Look, you made me remember
when I go out to clean the sidewalk.
627
00:27:55,920 --> 00:27:57,750
Is there anyone who cares
that I clean the sidewalk?
628
00:27:58,130 --> 00:27:59,970
- And not.
- And no, right?
629
00:28:02,430 --> 00:28:04,180
[Coppola] What did you think, Mari?
630
00:28:05,890 --> 00:28:08,060
I fell asleep, Guillermo.
631
00:28:08,770 --> 00:28:10,730
But hey, I'm very tired.
632
00:28:11,020 --> 00:28:13,400
[Coppola] Well, that's it.
Let's close, let's change the subject.
633
00:28:13,600 --> 00:28:16,190
Tell me what's happening with the department.
Can the auction be delayed a little?
634
00:28:16,650 --> 00:28:19,570
No, Guille, not today. It's your night,
We are here for something else, right?
635
00:28:19,650 --> 00:28:21,450
Yes. It's my night and it's my house.
636
00:28:21,530 --> 00:28:24,070
I want to know what is going to happen
with my house. That…? [laughs]
637
00:28:24,160 --> 00:28:25,700
- [indistinct]
- What happened?
638
00:28:26,410 --> 00:28:28,910
next week
They are going to auction off the property.
639
00:28:29,160 --> 00:28:32,410
I don't think we can get there
to lift the embargo.
640
00:28:33,290 --> 00:28:34,790
- It's difficult, Guillermo.
- [♪ sentimental music]
641
00:28:35,380 --> 00:28:38,210
[Viviana] Well,
Don't prick yourself now either.
642
00:28:38,460 --> 00:28:41,300
The finishing touch is not that it takes you out
the possibility of buying it again.
643
00:28:42,720 --> 00:28:44,550
With what money am I going to buy it again?
644
00:28:44,720 --> 00:28:47,800
With the six locations
What did I just sell? [exclaims]
645
00:28:48,310 --> 00:28:51,140
Not even if I save all my life,
I'm going to get that apartment back.
646
00:28:53,520 --> 00:28:55,310
The little nun was right.
647
00:28:55,730 --> 00:28:56,730
What little nun?
648
00:28:57,860 --> 00:28:59,150
- I understand myself.
- William.
649
00:28:59,320 --> 00:29:01,780
- [Coppola] Yes.
- I introduce myself, Lucas Maceo, lawyer.
650
00:29:02,860 --> 00:29:05,320
- Lawyer, I tell you, I already have...
- No, no, calm down, calm down.
651
00:29:05,700 --> 00:29:08,080
I looked for you in your apartment
of Liberator, but I didn't find you.
652
00:29:08,330 --> 00:29:10,740
I saw that they announced your show
and I was encouraged to come. [laughs]
653
00:29:10,830 --> 00:29:13,750
They broke my glass,
They worked on the stereo, but… [laughs]
654
00:29:14,000 --> 00:29:15,540
- it was worth it, it was worth it.
- Well.
655
00:29:15,620 --> 00:29:19,000
The truth is that it has everything, eh?
Comedy, drama, I was excited.
656
00:29:19,540 --> 00:29:23,010
The whole Pope's anecdote. [laughs]
[speaks in Italian, laughs]
657
00:29:23,090 --> 00:29:26,050
The truth is, you are incredible, I love it.
[laughs]
658
00:29:26,220 --> 00:29:27,390
Do you want me to sign it?
659
00:29:27,470 --> 00:29:29,300
[hesitates] Uh… No, no. No, it's okay.
660
00:29:29,550 --> 00:29:31,640
I would like us to meet
when you can.
661
00:29:31,850 --> 00:29:34,020
I have an important topic
which I would like to discuss.
662
00:29:34,430 --> 00:29:35,690
I leave you my card.
663
00:29:36,940 --> 00:29:39,310
- [♪ music continues]
- Eh... Yes, yes.
664
00:29:40,570 --> 00:29:41,570
Luke?
665
00:29:41,650 --> 00:29:42,820
- Uhmm.
- [Coppola] Well, fine.
666
00:29:43,190 --> 00:29:44,820
- I'll call you.
- A pleasure.
667
00:29:45,070 --> 00:29:46,780
- [Coppola] Likewise.
- [Lucas laughs]
668
00:29:48,450 --> 00:29:51,160
Come on, Guille! Come on, dad.
669
00:29:53,410 --> 00:29:54,580
[Lucas] Do you remember me?
670
00:29:55,250 --> 00:29:56,750
Are you carrying me?
I saw you the other day.
671
00:29:56,830 --> 00:29:58,790
How can I not remember?
Gagá… gagá I'm not there.
672
00:29:58,880 --> 00:30:01,670
[laughs] No, no, but I'm talking to you about before.
Much earlier.
673
00:30:02,130 --> 00:30:03,210
Listen to me, Lucas.
674
00:30:03,590 --> 00:30:05,380
Do you want to play I spy?
or do you want us to chat?
675
00:30:05,470 --> 00:30:07,050
- Tell me who you are and that's it.
- Look.
676
00:30:07,720 --> 00:30:10,100
[Coppola speaks indistinctly
on video]
677
00:30:10,180 --> 00:30:11,970
[Lucas on video] Coppola?
678
00:30:12,510 --> 00:30:13,770
[♪ heavenly music]
679
00:30:14,730 --> 00:30:16,270
-Uh.
- [laughs]
680
00:30:16,690 --> 00:30:18,190
- [Lucas, on video] Master, is it you?
- What is that?
681
00:30:18,690 --> 00:30:19,690
[laughs]
682
00:30:19,770 --> 00:30:21,360
[laughing] Did you see? I told them it was him.
[continues indistinct]
683
00:30:22,320 --> 00:30:24,400
- No. Are you the kid?
- Yes.
684
00:30:25,400 --> 00:30:27,450
No, I can't believe you.
685
00:30:27,530 --> 00:30:30,070
Look how I looked.
Look at the amount of hair he had.
686
00:30:30,450 --> 00:30:32,490
- [laughs]
- Look at you. And Doménica.
687
00:30:32,580 --> 00:30:34,160
Look how pretty Doménica is.
688
00:30:34,620 --> 00:30:36,330
- Poor thing, may she rest in peace.
-Uh.
689
00:30:36,460 --> 00:30:39,040
[Coppola] No, he did have an accident.
fell off the train
690
00:30:39,120 --> 00:30:42,340
and a train just passed in the other direction.
He went over it, no.
691
00:30:42,500 --> 00:30:44,090
- [Doménica speaks in Italian]
- [Coppola] No, no, no.
692
00:30:44,380 --> 00:30:46,670
Hospitalized time,
everyone going there, see?
693
00:30:46,760 --> 00:30:48,340
- A tragedy.
- No, tremendous, tremendous.
694
00:30:48,760 --> 00:30:49,890
- [Lucas] How barbaric.
- Poor thing.
695
00:30:50,340 --> 00:30:53,140
- Well, you are the same.
- I had eye surgery. [laughs]
696
00:30:53,760 --> 00:30:55,770
Yes, yes, the hairstyle
I still maintain it. [laughs]
697
00:30:55,930 --> 00:30:58,520
- My godson.
- Clear. Yes, it's me. [laughs]
698
00:30:58,690 --> 00:31:01,230
That day, do you remember that we entered
to training thanks to you?
699
00:31:01,310 --> 00:31:03,520
- Yes, yes, I remember.
- Afterwards we met up with Diego.
700
00:31:03,650 --> 00:31:05,570
He couldn't stop talking about you, huh?
701
00:31:05,820 --> 00:31:07,650
- Oh, yes. [laughs]
- [Lucas] How he loves you.
702
00:31:08,150 --> 00:31:11,450
He was talking about how important you are to him,
of the friendship they have.
703
00:31:11,530 --> 00:31:12,620
Mm-hm.
704
00:31:12,910 --> 00:31:15,240
[Lucas] It changed our lives
forever that day.
705
00:31:15,740 --> 00:31:18,660
[laughs] Yes, no, they caught me
in a moment, look.
706
00:31:18,750 --> 00:31:20,710
No, the anecdote is very good.
707
00:31:20,830 --> 00:31:22,250
- Bank of Naples.
- I know her.
708
00:31:22,540 --> 00:31:23,750
Yes, another day you will tell it.
709
00:31:23,840 --> 00:31:25,590
- The one with the Ballon d'Or?
- Yes, yes, I know her, I know her.
710
00:31:25,840 --> 00:31:27,800
Look, we brought you
to talk about an important topic.
711
00:31:27,880 --> 00:31:28,880
[Coppola] Tell me, tell me.
712
00:31:29,170 --> 00:31:32,010
We are eager to venture
in sports representation.
713
00:31:32,180 --> 00:31:35,430
And obviously we think of you
like a great link.
714
00:31:35,640 --> 00:31:37,350
No? So that you can give us a hand.
715
00:31:39,270 --> 00:31:40,690
[drum roll]
716
00:31:43,230 --> 00:31:45,440
[Coppola] Mm. [sighs]
717
00:31:46,650 --> 00:31:50,110
Sports representation is not a joke.
Do you know what you're getting into?
718
00:31:50,200 --> 00:31:52,740
No, no, yes, of course.
We were doing numbers.
719
00:31:52,820 --> 00:31:55,080
We believe we can do
an important difference.
720
00:31:55,370 --> 00:31:57,450
Furthermore, we have a large capital
to boot.
721
00:31:57,910 --> 00:32:00,290
Likewise, we can talk
of numbers, huh?
722
00:32:00,370 --> 00:32:03,630
We are willing
to listen to you, I don't know, a permanent, commissions,
723
00:32:03,790 --> 00:32:06,340
- we can see it. That's how you decide.
- No no.
724
00:32:06,420 --> 00:32:08,460
No, no, it's just that you don't have me
to show anything.
725
00:32:08,550 --> 00:32:10,420
No, I already understood how the hand comes.
No no.
726
00:32:12,550 --> 00:32:14,300
No no. I can help you.
727
00:32:14,850 --> 00:32:16,720
I have a condition, nothing more.
728
00:32:17,060 --> 00:32:19,770
I don't want a fixed salary, commission,
none of those things.
729
00:32:20,520 --> 00:32:21,690
[♪ lively music]
730
00:32:47,090 --> 00:32:48,090
[♪ music concludes]
731
00:32:49,170 --> 00:32:50,380
[♪ melancholic music]
732
00:32:51,800 --> 00:32:52,800
[twitter]
733
00:33:04,850 --> 00:33:06,150
[phone rings]
734
00:33:07,900 --> 00:33:08,900
[Coppola] Hello?
735
00:33:09,480 --> 00:33:11,570
[by phone] Guille, this is Mariano.
736
00:33:12,940 --> 00:33:15,360
[Coppola] Ah, what are you doing, sorete?
737
00:33:15,570 --> 00:33:17,820
[Mariano, by phone]Forgive me
that calls you out of nowhere,
738
00:33:18,070 --> 00:33:20,370
but Diego's father has just passed away.
739
00:33:21,120 --> 00:33:23,750
Oh, don't tell me.
740
00:33:24,960 --> 00:33:26,420
What a mess.
741
00:33:26,540 --> 00:33:27,790
[Mariano] Yes, a mess.
742
00:33:28,000 --> 00:33:30,880
I didn't know he was hospitalized.
but… well…
743
00:33:31,250 --> 00:33:34,170
[Mariano] Listen to me.
Diego is very sad
744
00:33:34,300 --> 00:33:37,140
and he asked me if he could call you
to ask you a favor.
745
00:33:37,720 --> 00:33:39,220
Yeah, yeah, whatever.
746
00:33:39,800 --> 00:33:41,720
[Mariano]He wants you to come
to tell anecdotes
747
00:33:41,810 --> 00:33:43,180
to lift your spirits.
748
00:33:43,770 --> 00:33:44,770
Can you?
749
00:33:46,810 --> 00:33:47,810
[giggles]
750
00:33:48,100 --> 00:33:49,940
[♪ "I never wanted to" sounds
of Intoxicated]
751
00:33:50,190 --> 00:33:52,230
Yes, yes, yes, of course, well...
752
00:34:07,460 --> 00:34:08,750
[♪ song intensifies]
753
00:37:39,840 --> 00:37:42,460
[♪ song fades out]